Fame Ran Out
January 27, 2026 Marlon Wright

No One Told These 2000s Stars That Fame Has An Expiration Date

Stardom once promised longevity, but the rules changed faster than many careers could keep up. As a matter of fact, some artists never noticed the shift. The result: a fascinating disconnect between legacy and how audiences actually engage today.
January 28, 2026 Sasha Wren

Hanoi Rocks were poised to be the next powerhouse of 80s rock when a devastating car crash stopped them in their tracks.

Hanoi Rocks were on the doorstep of becoming the next superstars of rock when unthinkable tragedy struck.
January 28, 2026 J. Clarke

If 2016 Is Really Making A Comeback, These Songs Are Non-Negotiable

Some years don’t fade—they hover. And 2016 is one of those years that still shows up uninvited, sliding into your playlists like it pays rent. If the cultural mood is looping back (again), then the soundtrack has to come with it: the pop confessionals, the late-night bangers, the gleeful earworms, the songs that made you text someone you absolutely should not have texted. Here are the 21 tracks that defined the year—and if 2016 is truly returning, they’re not optional.
January 28, 2026 J. Clarke

When Johnny Cash refused to censor his Vietnam protest songs, he risked his career to keep his conscience.

Johnny Cash never pretended to be neutral. While much of Nashville tried to tiptoe around the Vietnam War, Cash walked straight into it—boots first, guitar slung low, and conscience fully intact. At a time when protest could cost you radio play, sponsors, and even your career, Cash decided that silence felt worse.

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Led Zeppelin
January 27, 2026 Jesse Singer

My dad says The Beatles were the greatest band of all time. My uncle says they’re, at best, third behind Led Zeppelin and Pink Floyd. Who is right?

Every family has this argument. It usually starts with a record collection, ends with someone storming off, and somehow always involves The Beatles. To some people, they’re untouchable. To others, they’re overrated pioneers who’ve been mythologized beyond reason.
January 27, 2026 Jane O'Shea

Bands Too Strange, Too Loud, Or Too Ahead Of Their Time For Radio

These bands were so far ahead of their time, commercial radio couldn't keep up with them.
January 27, 2026 J. Clarke

Loretta Lynn was banned from radio for “The Pill,” but her defiance helped pave the way for future female country stars.

Country music has never been short on heartbreak, sin, or scandal—but for decades, it preferred those topics safely filtered through male voices. Then Loretta Lynn showed up and started singing about women’s lives the way women actually lived them. When she released “The Pill,” the genre wasn’t just uncomfortable—it panicked. The backlash was fierce, the bans were real, and the conversation she sparked never stopped echoing.
January 27, 2026 J. Clarke

Movies That Were Banned Around The World—For Reasons That Range From Absurd To Completely Fair

Movies are supposed to spark conversation, but sometimes they spark outright panic. Around the world, governments have repeatedly decided that banning an entire film is easier than trusting audiences to handle a few seconds of controversy. Sometimes the reasons are understandable. Other times, they feel so fragile they almost prove the movie’s point.
January 27, 2026 J. Clarke

The Songs That Created Hip Hop Culture As We Know It

Hip-hop didn’t arrive like a neatly packaged genre with a mission statement. It showed up loud, clever, and hungry—built out of whatever people had on hand: turntables, records, speakers, and a need to turn the neighborhood into a party. Then it grew up fast. It learned how to tell the truth, how to boast, how to crack jokes, how to mourn, how to protest, and how to reinvent itself every time someone tried to trap it in a box.
January 24, 2026 J. Clarke

When Marvin Gaye recorded “What’s Going On,” Motown executives hated it—until it became the conscience of a generation.

By the time What’s Going On reached the public, it didn’t just sound different from everything else on the radio—it felt different. It asked questions pop music wasn’t supposed to ask. It worried. It listened. And most shockingly of all, it came from Marvin Gaye, Motown’s smoothest romantic voice, the man who’d made a career out of sounding effortlessly in love.


THE SHOT

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