Johnny Cash and June Carter had one of the most intense love stories in music history—and their story is equally heartening as it is heartbreaking.

On August 27, 1990, Stevie Ray Vaughan finished a successful concert in Wisconsin and prepared to leave the venue. Then tragedy struck.

Some movies are a chore. The pacing is off. The writing is clunky. The ideas are better than the execution. You spend most of the runtime wondering who signed off on this. And then the ending hits—and suddenly you get it. These films didn’t magically become good, but their final moments were strong enough to justify sitting through the rest.

Somewhere along the way, teacher movies stopped being about “kids behaving badly” and started being about everything else—identity, confidence, ambition, class, race, grief, hope, and that one teacher who makes you feel like you’re not doomed. These films didn’t just show classrooms. They made school look like the place where your whole future gets decided in a single speech, a single lesson, or a single moment when someone finally says, “I see you”.

For a stretch in the late 90s, Shania Twain didn’t just dominate country music—she bent pop culture around her will. Then, almost without warning, that voice vanished. Tours stopped, albums stalled, and one of the most powerful vocalists of her generation disappeared from public view. To fans, it felt mysterious. To Shania, it felt terrifying.

“From rushed finales to messy reboots, these TV shows were so bad even their creators admitted they failed. A hilarious deep dive into TV’s biggest regrets.